A producer has many roles that may include, but are not limited to, gathering ideas for the project, selecting songs and/or musicians, coaching the artist and musicians in the studio, controlling the recording sessions, and supervising the entire process through mixing and mastering.
Producers also often take on a wider entrepreneurial role, with responsibility for the budget, schedules, contracts and negotiations.
Today, the recording industry has two kinds of producers: executive producer and music producer; they have different roles.
While an executive producer oversees a project’s finances, a music producer oversees the creation of the music.
A music producer can, in some cases, be compared to a film director, with noted practitioner Phil Ek describing his role as “the person who creatively guides or directs the process of making a record, like a director would a movie.
The engineer would be more the cameraman of the movie.” Indeed, in Bollywood music, the designation actually is music director. The music producer’s job is to create, shape, and mold a piece of music.
The scope of responsibility may be one or two songs or an artist’s entire album – in which case the producer will typically develop an overall vision for the album and how the various songs may interrelate.
In the US, before the rise of the record producer, someone from A&R would oversee the recording session(s), assuming responsibility for creative decisions relating to the recording.
With today’s relatively easy access to technology, an alternative to the record producer just mentioned, is the so-called ‘bedroom producer’.
With today’s technological advances, it is very easy for a producer to achieve high quality tracks without the use of a single instrument; that happens in modern music such as hip-hop or dance.
Many established artists take this approach. In most cases the music producer is also a competent arranger, composer, musician or songwriter who can bring fresh ideas to a project.
As well as making any songwriting and arrangement adjustments, the producer often selects and/or gives suggestions to the mixing engineer, who takes the raw recorded tracks and edits and modifies them with hardware and software tools and creates a stereo and/or surround sound “mix” of all the individual voices sounds and instruments, which is in turn given further adjustment by a mastering engineer.
The producer will also liaise with the recording engineer who concentrates on the technical aspects of recording, whereas the executive producer keeps an eye on the overall project’s marketability.
I'm Joost Nusselder, the founder of Neaera and a content marketer, dad, and love trying out new equipment with guitar at the heart of my passion, and together with my team, I've been creating in-depth blog articles since 2020 to help loyal readers with recording and guitar tips.
Check me out on Youtube where I try out all of this gear:Subscribe