A wah-wah pedal (or just wah pedal) is a type of guitar effects pedal that alters the tone of the signal to create a distinctive effect, mimicking the human voice. The pedal sweeps the peak response of a filter up and down in frequency to create the sound (spectral glide), also known as “the wah effect.” The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in the instrument’s bell. This was later simulated with electronics for the electric guitar, controlled by movement of the player’s foot on a rocking pedal connected to a potentiometer. Wah-wah effects are used when a guitarist is soloing, or creating a “wacka-wacka” funk styled rhythm.
A wah pedal is a type of pedal that alters the frequency of the electric guitar signal allowing the player to create a distinctive vocal-like sound by moving the pedal back and forth (known as “wah-ing”). This movement creates a filter effect that emphasizes one frequency range of the guitar signal while de-emphasizing others.
Let’s look at what that means and how it works.
What is a Wah Pedal?
A wah pedal is a type of effects pedal that alters the frequencies of an electric guitar signal, allowing for a shifting filter that the player can accurately control. The pedal is highly resonant and can bring a variety of sonic changes to the guitar’s overall form.
How Wah-Wah Pedals Work
The Basics: Understanding the Frequency Shifting Effect
At its core, a wah-wah pedal is a frequency shifter. It allows the player to create a distinctive onomatopoeic effect that mimics the sound of a human voice saying “wah.” This effect is achieved by engaging a bandpass filter that allows a specific range of frequencies to pass through while attenuating others. The result is a sweeping sound that can be bassy or trebly depending on the position of the pedal.
The Design: How the Pedal is Manipulated
The typical design of a wah-wah pedal features a shaft that is usually connected to a gear or toothed mechanism. When the player rocks the pedal back and forth, the gear rotates, changing the position of a potentiometer that controls the frequency response of the pedal. This linear control allows the player to manipulate the wah effect in real-time, creating a signature crying sound that is highly sought after by guitarists for soloing and adding texture to their playing.
The Benefits: Switchless Wahs and Wear Problems
While the physical connection between the pedal and the potentiometer is a common design feature, some manufacturers have opted to forgo this connection in favor of a switchless design. This allows the player to engage the wah effect without worrying about wear and eventual problems that can arise from the physical connection. Additionally, some switchless wahs offer a wider variety of frequency changes and can be easier to use for players who are new to the effect.
Uses
Enhancing Guitar Solos
One of the most common uses of a wah pedal is to add expression and dynamics to guitar solos. By using the pedal to sweep through the frequency range, guitarists can create a vocal-like quality to their playing that adds emotion and intensity to their performance. This technique is commonly used in genres such as jazz, blues, and rock, and was famously employed by artists like Jimi Hendrix, who wowed crowds with his use of the wah pedal.
Creating Envelope Filter Effects
Another use of the wah pedal is to create envelope filter effects. By adjusting the pedal’s control knob, guitarists can create a sweeping, filtering effect that alters the timbre of their guitar sound. This technique is commonly used in funk and soul music, and can be heard in songs like “Superstition” by Stevie Wonder.
Adding Texture to Rhythm Playing
While the wah pedal is usually associated with lead guitar playing, it can also be used to add texture to rhythm playing. By using the pedal to sweep through the frequency range, guitarists can create a pulsing, rhythmic effect that adds interest and depth to their playing. This technique is commonly used in genres like surf rock and was famously employed by Dick Dale.
Exploring New Sounds and Techniques
Finally, one of the most essential uses of the wah pedal is to explore new sounds and techniques. By experimenting with different pedal positions, sweep speeds, and control settings, guitarists can create a wide range of unique sounds and effects. This can be a fun and easy way to expand your playing and come up with new ideas for your music.
Overall, the wah pedal is an essential tool for any guitarist looking to add expression, dynamics, and texture to their playing. Whether you’re a beginner or a pro, there are plenty of tips and exercises to help you understand how the pedal works and how to use it effectively. So if you’re looking to take your guitar playing to the next level, be sure to check out the ultimate guide to wah pedals and start experimenting with this fun and versatile effect today!
Potential Parameter Controls For Wah Pedals
The Jimi Hendrix Connection: Vox and Fuzz Wahs
Jimi Hendrix is regarded as one of the greatest guitarists in rock music history. His iconic shows and images clearly show him using a wah pedal on a regular basis. He owned and used several wah pedals, including the Dallas Arbiter Face, which is now manufactured by Dunlop. The Vox and Fuzz Wahs were also central to his sound. The Vox Wah was the first pedal he obtained, and he used it to achieve the hypnotic lead parts and greater presence in his main riffs. The Fuzz Wah was an essential component in his practice to achieve memorable solos and achieve a mixed sound of extra higher octaves.
Frequency Sweeping and Altering
The main role of a wah pedal is to alter the frequency response of the guitar signal. The pedal offers a number of different frequency sweeps that produce similar but different sounds. The frequency sweep refers to the range of frequencies that the pedal affects. The highest resistance end of the sweep is when the pedal is closest to the ground, and the lowest resistance end is when the pedal is closest to the highest point. The frequency sweep can be altered by rotating the wiper, which is the conductive part of the pedal that moves along the resistive element.
Linear and Special Sweep Wahs
There are two types of wah pedals: linear and special sweep. The linear sweep wah is the most common type and has a consistent frequency sweep throughout the pedal’s range. The special sweep wah, on the other hand, offers a non-linear frequency sweep that is more vocal-like. The Vox and Fuzz Wahs are examples of special sweep wahs.
Feedback and Grounded Wahs
Wah pedals can also be used to create feedback by setting the pedal near the end of the frequency sweep. This can be achieved by grounding the pedal, which involves connecting the pedal to a conductive surface. This creates a loop between the guitar and the amp, which can produce a sustained sound.
EH Wahs and Other Ways to Wah
EH wahs are an exception to the linear and special sweep wahs. They offer a unique sound that is different from other wah pedals. Other ways to achieve a wah sound without a pedal include using pedalless equipment, software, or smart speakers. The Octavio pedal, which combines a fuzz and octave effect, is another way to achieve a wah-like sound.
In conclusion, a wah pedal is an essential component for guitarists looking to achieve a memorable sound. With the potential parameter controls available, including frequency sweeping and altering, linear and special sweep wahs, feedback and grounded wahs, and EH wahs, there are many ways to achieve a unique sound.
Mastering the Wah Pedal: Tips and Tricks
1. Experiment with Different Input Levels
One of the best ways to get the most out of your wah pedal is to experiment with different input levels. Try adjusting the volume and tone controls on your guitar to see how they affect the sound of the wah pedal. You may find that certain settings work better for different styles of music or for different parts of a song.
2. Use the Wah Pedal in Combination with Other Effects
While the wah pedal is a powerful effect on its own, it can also be used in combination with other effects to create unique sounds. Try using the wah pedal with distortion, reverb, or delay to see how it changes the overall tone of your guitar.
3. Pay Attention to the Dimensions of Your Wah Pedal
When choosing a wah pedal, it’s important to pay attention to its dimensions. Some pedals are larger than others, which can affect how easy they are to use and how they fit into your pedalboard setup. Consider the size and weight of the pedal, as well as the placement of the input and output jacks.
4. Practice Your Wah Pedal Skills
Like any other guitar effect, mastering the wah pedal takes practice. Spend time experimenting with different settings and techniques to find the sound that works best for you. Try using the wah pedal in different parts of a song, such as during a solo or a bridge, to see how it can add depth and dimension to your playing.
5. Read Reviews and Get Recommendations
Before you buy a wah pedal, it’s a good idea to read reviews and get recommendations from other guitarists. Look for reviews on websites like Reverb or Guitar Center, and ask other musicians for their opinions. This can help you find the best wah pedal for your needs and budget.
Remember, the key to using a wah pedal effectively is to experiment and have fun. Don’t be afraid to try new things and push the boundaries of what’s possible with this versatile effect.
Where to Place Your Wah Pedal in the Signal Chain
When it comes to building a pedalboard, the order of effects pedals can make a big difference in the overall sound. The placement of the wah pedal in the signal chain is a crucial decision that can affect the tone and functionality of your guitar rig. In this section, we’ll explore the different options available and help you decide where to place your wah pedal.
The Basics of Signal Chain Order
Before we dive into the specifics of wah pedal placement, let’s review the basics of signal chain order. The signal chain refers to the path that your guitar’s signal takes through your pedals and amplifier. The order in which you arrange your pedals can have a significant impact on the overall sound of your guitar rig.
Here are some general guidelines for pedal order:
- Start with any pedals that amplify or modify the guitar’s signal (e.g., distortion, overdrive, boost).
- Follow with modulation effects (e.g., chorus, flanger, phaser).
- Place time-based effects (e.g., delay, reverb) at the end of the chain.
Where to Place Your Wah Pedal
Now that we understand the basics of signal chain order, let’s talk about where to place your wah pedal. There are two main options:
1. Near the beginning of the signal chain: Placing the wah pedal near the beginning of the signal chain can help to amplify the effect and reduce noise. This setup is ideal if you want a more solid and consistent wah sound.
2. Later in the signal chain: Placing the wah pedal later in the signal chain can make it more difficult to control the effect, but it can also provide more advanced parameter controls. This setup is good if you want to use the wah pedal as a tone-shaping tool.
Other Considerations
Here are some other things to keep in mind when deciding where to place your wah pedal:
- Access: Placing the wah pedal near the beginning of the signal chain makes it easier to access the pedal’s controls while playing.
- Interference: Placing the wah pedal later in the signal chain can be more susceptible to interference from other pedals, which can cause noise or unwanted effects.
- Security: If you’re using software or other advanced effects, placing the wah pedal later in the signal chain can help protect your personal information from being blocked or disabled by suspicious software.
- Reference: If you’re not sure where to place your wah pedal, try referencing other guitarists’ pedalboard setups or experimenting with different placements to find what works best for you.
Conclusion
In the world of effects pedals, the order of your signal chain can make a big difference in the overall sound of your guitar rig. When it comes to placing your wah pedal, there are two main options: near the beginning of the chain or later in the chain. Consider your personal preferences, the type of music you play, and the other pedals in your setup to determine the best placement for your wah pedal.
Other Instruments
Wind and Brass Instruments
While wah pedals are most commonly associated with guitar players, they can also be used with wind and brass instruments. Here are some tips for using wah pedals with these instruments:
- Saxophones: Players like David Sanborn and Michael Brecker have used wah pedals with their alto saxophones. The wah pedal can be modified to work with a saxophone by using a microphone and an amplifier.
- Trumpets and Trombones: Players like Miles Davis and Ian Anderson have used wah pedals with their brass instruments. The wah pedal can be used to create interesting changes in frequency and intensity, adding complexity to the sounds produced.
Bowed String Instruments
Wah pedals can also be used with bowed string instruments like the cello. Here are some tips for using wah pedals with these instruments:
- Bowed String Instruments: Players like Jimmy Page and Geezer Butler have used wah pedals with their bowed string instruments. The wah pedal can be used to create interesting changes in frequency and intensity, adding complexity to the sounds produced.
Other Instruments
Wah pedals can also be used with a variety of other instruments. Here are some examples:
- Keyboards: Chris Squire of Yes used a wah pedal on the piece “The Fish (Schindleria Praematurus)” from the album “Fragile.” The wah pedal can be used to create interesting changes in frequency and intensity, adding complexity to the sounds produced.
- Harmonica: Frank Zappa used a wah pedal on the song “Uncle Remus” from the album “Apostrophe (‘).” The wah pedal can be used to create interesting changes in frequency and intensity, adding complexity to the sounds produced.
- Percussion: Michael Henderson used a wah pedal on the song “Bunk Johnson” from the album “In the Room.” The wah pedal can be used to create interesting changes in frequency and intensity, adding complexity to the sounds produced.
When buying a wah pedal for use with an instrument other than guitar, it’s important to understand the pedal’s capabilities and how to control it to obtain the desired effects. Unlike pedals for guitar, wah pedals for other instruments may not have the same positions or affect the same elements. However, they are capable of producing interesting sounds and greater expressiveness when used correctly.
Exploring Alternative Techniques to Use a Wah Pedal
1. Simply Use Your Foot
The most common way to use a wah pedal is to rock it back and forth with your foot while playing the guitar. However, there are other ways to manipulate the pedal to achieve different sounds. Here are some techniques to help you get the most out of your wah pedal:
2. Transfers and Tone Control
One way to use the wah pedal is to transfer the tone control from your guitar to your foot. This technique involves leaving the wah pedal in a fixed position and using your guitar’s tone knob to adjust the sound. By doing this, you can create a more subtle wah effect that is less pronounced than the traditional method.
3. The Matt Bellamy Technique
Matt Bellamy, the lead singer and guitarist of the band Muse, has a unique way of using the wah pedal. He places the pedal at the beginning of his signal path, before any other effects. This allows him to use the wah pedal to shape the sound of his guitar before it goes through any other effects, resulting in a more solid and consistent sound.
4. The Kirk Hammett Technique
Kirk Hammett, the lead guitarist of Metallica, uses the wah pedal in a similar way to Bellamy. However, he places the pedal at the end of his signal path, after all other effects. This allows him to use the wah pedal to add a final touch to his sound, giving it a unique and distinctive tone.
5. Let the Wah Pedal Marinate
Another technique to try is to let the wah pedal “marinate” in a fixed position. This involves finding a sweet spot on the pedal and leaving it there while you play. This can create a unique and interesting sound that is different from the traditional wah effect.
Differences
Wah Pedal Vs Auto Wah
Alright, folks, let’s talk about the difference between a wah pedal and an auto wah. Now, I know what you’re thinking, “What the heck is a wah pedal?” Well, it’s a nifty little gadget that guitarists use to create that iconic “wah-wah” sound. Think of it like a foot-controlled filter that sweeps through the frequency range of your guitar’s signal. It’s like a talking guitar, but without the annoying backtalk.
Now, on the other hand, we have the auto wah. This bad boy is like the wah pedal’s younger, more tech-savvy cousin. Instead of relying on your foot to control the filter, the auto wah uses an envelope follower to automatically adjust the filter based on your playing dynamics. It’s like having a robot guitarist that can read your mind and adjust its sound accordingly.
So, which one is better? Well, it really depends on your personal preference. The wah pedal is great for those who want more control over their sound and enjoy the physical aspect of manipulating the pedal with their foot. It’s like a workout for your ankle, but with sweet guitar sounds as the reward.
On the other hand, the auto wah is perfect for those who want a more hands-off approach to their sound. It’s like having a personal sound engineer that can adjust your tone on the fly. Plus, it frees up your foot for more important things, like tapping your toes or doing a little dance while you play.
In conclusion, whether you prefer the classic feel of a wah pedal or the futuristic convenience of an auto wah, both options can add some serious flavor to your guitar playing. So, go forth and experiment with different effects to find the perfect sound for you. And remember, no matter what you choose, the most important thing is to have fun and rock out!
Wah Pedal Vs Whammy Bar
Alright, folks, let’s talk about wah pedals and whammy bars. Now, I know what you’re thinking, “What the heck is a wah pedal?” Well, let me break it down for you in layman’s terms. A wah pedal is a foot-controlled effects pedal that makes your guitar sound like it’s saying “wah.” It’s like the guitar version of the teacher from Charlie Brown.
Now, on the other hand, we have the whammy bar. This bad boy is a hand-controlled device that allows you to bend the pitch of your guitar strings. It’s like having a magic wand that can turn your guitar into a unicorn.
So, what’s the difference between these two mystical devices? Well, for starters, the wah pedal is all about filtering frequencies. It’s like a DJ for your guitar. It can make your guitar sound like it’s talking, crying, or even screaming. The whammy bar, on the other hand, is all about pitch-shifting. It can make your guitar sound like it’s going up or down a staircase.
Another big difference is the way they’re controlled. The wah pedal is foot-controlled, which means you can use it while you’re playing your guitar. It’s like having a third foot. The whammy bar, on the other hand, is hand-controlled, which means you have to take your hand off the guitar to use it. It’s like having a third arm.
But wait, there’s more! The wah pedal is an analog device, which means it uses kinetic energy to create its sound. It’s like a wind-up toy. The whammy bar, on the other hand, is a digital device, which means it uses computer software to create its sound. It’s like having a robot play your guitar.
So, there you have it, folks. The wah pedal and the whammy bar are two very different creatures. One is like a DJ for your guitar, and the other is like a magic wand. One is foot-controlled, and the other is hand-controlled. One is analog, and the other is digital. But no matter which one you choose, they’re both sure to make your guitar sound out of this world.
Wah Pedal Vs Envelope Filter
Alright folks, it’s time to talk about the age-old debate of wah pedal vs envelope filter. Now, I know what you’re thinking, “what the heck is an envelope filter?” Well, let me break it down for you in layman’s terms.
First off, let’s talk about wah pedals. These bad boys have been around since the 60s and are a staple in the world of guitar effects. They work by sweeping a bandpass filter up and down the frequency spectrum, creating that signature “wah” sound. It’s like a musical rollercoaster for your guitar tone.
Now, let’s move on to envelope filters. These funky little pedals work by responding to the dynamics of your playing. The harder you play, the more the filter opens up, creating a funky, quacky sound. It’s like having a talkbox in your pedalboard without having to worry about drooling all over yourself.
So, which one is better? Well, it really depends on what you’re going for. If you want that classic, Hendrix-style wah sound, then a wah pedal is the way to go. But if you’re looking for something a little more unique and funky, then an envelope filter might be more up your alley.
In the end, it all comes down to personal preference. Both pedals have their own unique quirks and can add a ton of character to your playing. So, why not try them both out and see which one tickles your fancy? Just make sure to have some fun and let your inner funkster shine through.
Conclusion
The wah pedal is a type of pedal that alters the frequency of the electric guitar signal allowing you to shift the filter and control it accurately.
It’s a pedal that brings exciting sonic changes to your guitar sound and is a popular choice for experimental avant garde musicians and tested by saxophonists and trumpeters debating if it’s better suited for wind instruments.
Start with a simple approach and gradually experiment with the pedal’s potential. Try combining it with other effects pedals for a complex sound.
I'm Joost Nusselder, the founder of Neaera and a content marketer, dad, and love trying out new equipment with guitar at the heart of my passion, and together with my team, I've been creating in-depth blog articles since 2020 to help loyal readers with recording and guitar tips.
