N'ime egwu, polyphony bụ udidi nwere ahịrị abụọ ma ọ bụ karịa n'otu oge nke abụ nwere onwe ya, n'adịghị ka udidi egwu nwere naanị otu olu nke a na-akpọ monophony, yana dị iche na udidi egwu nwere otu olu olu ụtọ na-esonyere ya na chords nke a na-akpọ. nwoke idina nwoke.
N'ime ihe gbasara omenala egwu ọdịda anyanwụ, a na-ejikarị okwu a na-ezo aka na egwu nke oge ochie na Renaissance.
A na-akọwakarị ụdị Baroque dị ka fugue, nke enwere ike ịkpọ polyphonic, kama ọ bụ ihe mgbochi.
Ọzọkwa, n'adịghị ka ụdị okwu okwu nke counterpoint, polyphony bụ n'ozuzu ma ọ bụ "pitch-against-pitch" / "point-against-point" ma ọ bụ "sustained-pitch" n'otu akụkụ na melismas nke dịgasị iche iche ogologo na ọzọ.
N'okwu niile, echiche ahụ bụ ihe Margaret Bent (1999) kpọrọ "dyadic counterpoint", na-ede akụkụ nke ọ bụla n'ozuzu megide otu akụkụ ọzọ, na-agbanwe akụkụ niile ma ọ bụrụ na ọ dị mkpa na njedebe.
Echiche a na-emegide ihe na-emegide "mmekọrịta na-aga nke ọma", ebe edere ụda n'usoro na olu ọhụrụ ọ bụla dabara n'ime ihe niile e wuru ugbu a, bụ nke e chere na mbụ.
Kedu otu esi eji polyphony eme ihe n'egwuregwu gị?
Otu ụzọ isi jiri polyphony eme ihe bụ site n'ịkwado ụda dị iche iche. Enwere ike ime nke a site n'ịkpọ ụda olu n'otu ngwa mgbe ị na-egwu egwu dị iche iche ma ọ bụ egwu egwu na ngwá ọrụ ọzọ. Nke a nwere ike ịmepụta ụda zuru oke na ọgaranya.
Ị nwekwara ike iji polyphony tinye mmasị na ụdị dị iche iche na solos gị. Kama ịkpọ naanị otu ndetu n'otu oge, gbalịa ịgbakwunye soloist nke abụọ wee kpọọ abụọ ma ọ bụ karịa riffs ọnụ. Nke a nwere ike ịmepụta naanị ụda ụda dị mgbagwoju anya ma dị ụtọ.
mmechi
Ndị a bụ echiche ole na ole gbasara otu ị ga-esi jiri polyphony na egwu egwu gị. Nwalee ma hụ ụdị ụda ị nwere ike iwepụta!
Abụ m Joost Nusselder, onye nchoputa Neaera na onye na-ere ọdịnaya, nna, ma hụ n'anya ịnwale akụrụngwa ọhụrụ na guitar n'obi oke agụụ m, yana ndị otu m, anọ m na-ekepụta akụkọ blọgụ miri emi kemgbe 2020 iji nyere ndị na-agụ akwụkwọ na-eguzosi ike n'ihe aka na ndekọ na ndụmọdụ guitar.
