ʻO ka synthesizer kani (i hoʻopau pinepine ʻia ʻo "synthesizer" a i ʻole "synth", i ʻōlelo ʻia ʻo "synthesiser") he mea kani uila e hoʻopuka ana i nā hōʻailona uila i hoʻololi ʻia i kani ma o nā leo leo a i ʻole nā pepeiao.
Hiki i nā Synthesizers ke hoʻohālike i nā mea kani ʻē aʻe a i ʻole e hana i nā timbres hou.
Hoʻokani pinepine ʻia lākou me kahi kīpē, akā hiki ke hoʻomalu ʻia ma o nā ʻano mea hoʻokomo ʻē aʻe, e like me nā mea hoʻokani mele, nā mea hoʻokele mea kani, nā manamana lima, nā synthesizers guitar, nā mea hoʻokele makani, a me nā pahu uila.
ʻO nā Synthesizers me ka ʻole o nā mea hoʻoponopono i kūkulu ʻia i kapa pinepine ʻia nā modula kani, a ua hoʻomalu ʻia ma o midi a i ʻole CV/Gate. Hoʻohana nā Synthesizers i nā ʻano hana like ʻole e hana i ka hōʻailona. Ma waena o nā ʻenehana hoʻoheheʻe nalu kaulana loa, ʻo ia ka subtractive synthesis, additive synthesis, wavetable synthesis, frequency modulation synthesis, phase distortion synthesis, physical modeling synthesis a me ka sample-based synthesis. ʻO nā ʻano synthesis liʻiliʻi ʻē aʻe (e ʻike i nā #Types of synthesis) e pili ana i ka synthesis subharmonic, kahi ʻano hoʻohui hoʻohui ma o subharmonics (hoʻohana ʻia e ka trautonium hui ʻia), a me ka synthesis granular, synthesis kumu hoʻohālike e pili ana i nā ʻano o ke kani, ka hopena maʻamau i nā leo a i ʻole nā ao. .
ʻO wau ʻo Joost Nusselder, ka mea nāna i hoʻokumu iā Neaera a me kahi mea kūʻai aku ʻike, makuakāne, a makemake hoʻi e hoʻāʻo i nā mea hana hou me ka guitar ma ka puʻuwai o koʻu makemake, a me kaʻu hui, ua hana wau i nā ʻatikala blog hohonu mai 2020 e kōkua i ka poʻe heluhelu kūpaʻa me nā ʻōlelo aʻoaʻo hoʻopaʻa leo a me nā kīkā.
