ʻO ka Microtonality kahi huaʻōlelo maʻamau e wehewehe i ke mele i haku ʻia me ka hoʻohana ʻana i nā wā liʻiliʻi ma mua o ka semitone komohana kahiko.
Ke hoʻāʻo nei ia e haʻalele i ke ʻano mele kuʻuna, e kālele ana i nā wā kūʻokoʻa, no laila e hana ana i nā leo kani kumuhana like ʻole.
Ua ʻike ka mele Microtonal i ka piʻi ʻana o ka kaulana i nā makahiki he ʻumi i hala aku nei i ka ʻimi ʻana o nā haku mele i nā ala hou o ka hōʻike ʻana ma o kā lākou mele.
Loaʻa pinepine ʻia i nā ʻano uila a me nā ʻano uila e like me EDM, akā loaʻa pū kekahi i kona ala i ka pop, jazz a me nā ʻano maʻamau i waena o nā mea ʻē aʻe.
Hoʻonui ka Microtonality i ka laulā o nā mea kani a me nā leo i hoʻohana ʻia i ka haku mele ʻana, e hiki ai ke hana i nā leo kani sonic kūʻokoʻa i hiki ke lohe ʻia ma o ka hoʻohana ʻana i nā microtones.
Ma waho aʻe o kāna mau hana noʻonoʻo, lawelawe pū ka mele microtonal i kahi kumu analytical - hiki i ka poʻe mele ke aʻo a kālele i nā ʻōnaehana hoʻokani ʻokoʻa a me nā unahi me ka pololei ʻoi aku ka pololei ma mua o ka hiki ke loaʻa me ke kani ʻana i ke ʻano like ʻole (me ka hoʻohana ʻana i nā semitones).
ʻAe kēia i ka nānā pono ʻana i nā pilina alapine harmonic ma waena o nā memo.
Wehewehe o Microtonality
ʻO ka Microtonality kahi huaʻōlelo i hoʻohana ʻia i ka manaʻo mele no ka wehewehe ʻana i ke mele me ka liʻiliʻi o ka semitone. ʻO ia nā huaʻōlelo i hoʻohana ʻia no nā wā ʻoi aku ka liʻiliʻi ma mua o ka hapa ʻanuʻu o nā mele Western. ʻAʻole i kaupalena ʻia ka Microtonality i nā mele Western a hiki ke loaʻa i nā mele o nā moʻomeheu he nui a puni ka honua. E ʻimi kākou i ke ʻano o kēia manaʻo ma ke ʻano mele mele a me ka haku mele.
He aha ka microtone?
ʻO ka microtone he ʻāpana o ke ana i hoʻohana ʻia i ke mele e wehewehe i kahi leo a i ʻole ka leo e hāʻule i waena o nā leo o ke komohana kahiko 12-leo kani. ʻIke pinepine ʻia ʻo "microtonal," hoʻohana nui ʻia kēia hui i nā mele kahiko a me nā mele honua a ke ulu nei i ka kaulana i waena o nā haku mele a me nā mea hoʻolohe like.
Pono nā Microtones no ka hana ʻana i nā ʻano ʻano like ʻole a me nā ʻano like ʻole i manaʻo ʻia i loko o kahi ʻōnaehana tonal. ʻOiai ke hoʻokaʻawale nei ke kani 12-leo kuʻuna i ka octave i ʻumikūmālua semitones, hoʻohana ka microtonality i nā manawa i ʻoi aku ka maikaʻi ma mua o nā mea i loaʻa i nā mele kahiko, e like me nā quartertones, nā hapakolu o nā leo, a me nā māhele liʻiliʻi i kapa ʻia ʻo "ultrapolyphonic" intervals. Hiki i kēia mau ʻāpana liʻiliʻi ke hāʻawi pinepine i kahi kani kūʻokoʻa i paʻakikī paha ke ʻike i ka wā e hoʻolohe ʻia ai e ka pepeiao o ke kanaka a i ʻole hiki ke hana i nā hui mele hou loa i ʻike ʻole ʻia ma mua.
ʻO ka hoʻohana ʻana i nā microtones hiki i nā mea hoʻokani a me nā mea hoʻolohe ke launa pū me nā mea mele ma kahi pae kumu, e ʻae pinepine iā lākou e lohe i nā nuances maʻalahi i hiki ʻole iā lākou ke lohe ma mua. He mea nui kēia mau pilina nuanced no ka ʻimi ʻana i nā pilina harmonic paʻakikī, ka hana ʻana i nā leo kū hoʻokahi ʻaʻole hiki ke hana me nā mea kani maʻamau e like me nā piano a i ʻole nā kikā, a i ʻole ka ʻike ʻana i nā honua hou o ka ikaika a me ka ʻōlelo ma o ka hoʻolohe ʻana.
Pehea ka ʻokoʻa o ka microtonality me nā mele kahiko?
ʻO ka Microtonality kahi hana mele e hiki ai ke hoʻokaʻawale i nā memo i nā ʻāpana liʻiliʻi ma mua o nā manawa i hoʻohana ʻia i nā mele kahiko o Western, kahi i hoʻokumu ʻia ma ka hapalua a me nā ʻanuʻu holoʻokoʻa. Hoʻohana ia i nā manawa ʻoi aku ka haiki ma mua o nā tonality maʻamau, e hoʻokaʻawale i ka octave i nā leo he 250 a ʻoi aku paha. Ma mua o ka hilinaʻi ʻana i ka nui a me ka liʻiliʻi i loaʻa i nā mele kuʻuna, hana nā mele microtonal i kāna mau unahi ponoʻī me ka hoʻohana ʻana i kēia mau māhele liʻiliʻi.
Hoʻokumu pinepine nā mele Microtonal i nā dissonances i manaʻo ʻole ʻia (nā hui like ʻole o nā pitch ʻelua a ʻoi aku paha) e kālele ana i ka manaʻo ma nā ala e hiki ʻole ke loaʻa me nā unahi kuʻuna. Ma ke kuʻuna kuʻuna, ʻo nā pūʻulu o nā memo ma mua o ʻehā e hana i ka manaʻo ʻoluʻolu ma muli o ko lākou paio ʻana a me ka paʻa ʻole. ʻO ka ʻokoʻa, hiki ke kani ʻoluʻolu nā dissonances i hana ʻia e ka microtonal harmony ma muli o ke ʻano o ka hoʻohana ʻana. Hiki i kēia ʻokoʻa ke hāʻawi i kahi ʻano kikoʻī, hohonu a paʻakikī i kahi ʻāpana mele e hiki ai ke hōʻike a me ka ʻimi ʻana ma o nā hui leo like ʻole.
I loko o nā mele microtonal he manawa kūpono no kekahi poʻe haku mele e hoʻohui i kā lākou hoʻoilina moʻomeheu i kā lākou haku mele ma ke kiʻi ʻana mai nā kuʻuna mele kahiko ʻole o ke Komohana e like me North Indian ragas a i ʻole nā unahi ʻApelika kahi i hoʻohana ʻia ai nā leo hapahā a ʻoi aku ka maikaʻi. Ua hoʻohana ka poʻe mele Microtonal i kekahi mau mea mai kēia mau ʻano i ka wā e hana ai i kēia manawa ma o ka hoʻohui ʻana iā lākou me nā mea mai nā ʻano mele o ke Komohana, e hoʻomaka ana i kahi au hoihoi hou o ka ʻimi mele!
Moolelo o Microtonality
He moʻolelo lōʻihi a waiwai nui ka Microtonality i nā mele e hoʻi ana i nā kuʻuna mele kahiko a me nā moʻomeheu. Ua kākau nā mea haku mele Microtonal, e like me Harry Partch lāua ʻo Alois Hába, i nā mele microtonal mai ka hoʻomaka ʻana o ke kenekulia 20, a ʻoi aku ka lōʻihi o nā mea kani microtonal. ʻOiai pili pinepine ʻia ka microtonality me nā mele hou, loaʻa nā mana mai nā moʻomeheu a me nā hana a puni ka honua. Ma kēia ʻāpana, e ʻimi mākou i ka mōʻaukala o ka microtonality.
Mele kahiko a kahiko
ʻO ka Microtonality - ka hoʻohana ʻana i nā manawa ma lalo o ka hapa ʻanuʻu - he moʻolelo lōʻihi a waiwai. Ua ʻike ʻo Pythagoras, ka mea kālaiʻike mele Helene kahiko, i ka hoʻohālikelike ʻana o nā wā mele i nā ratio helu, e hoʻolalelale ana i ke ala no ka poʻe loea mele e like me Eratosthenes, Aristoxenus a me Ptolemy e hoʻomohala i kā lākou mau manaʻo o ke kani mele. ʻO ka hoʻokomo ʻana i nā mea kani keyboard i ke kenekulia 17 i hana i nā mea hou no ka ʻimi microtonal, e maʻalahi ai ka hoʻāʻo ʻana me nā lakio ma mua o ka hoʻokani ʻana o ka maʻamau.
Ma ke kenekulia 19, ua loaʻa kahi ʻike e pili ana i ka microtonal sensibility. ʻO nā hoʻomohala e like me ka ratiomorphic circulation ma Farani (d'Indy a me Debussy) ua ʻike hou i nā hoʻokolohua i ka haku mele microtonal a me nā ʻōnaehana hoʻokani. Ma Lūkia ua ʻimi ʻo Arnold Schönberg i nā unahi hapahā-leo a ua ʻimi kekahi poʻe haku mele Lūkini i nā harmonic manuahi ma lalo o ka mana o Alexander Scriabin. Ua ukali ʻia kēia ma Kelemānia e ka haku mele ʻo Alois Hába nāna i hoʻomohala i kāna ʻōnaehana ma muli o nā leo hapaha akā e pili mau ana i nā loina harmonic kuʻuna. Ma hope mai, ua hoʻomohala ʻo Partch i kāna ʻōnaehana hoʻolohe ponoʻī ponoʻī i kaulana i kēia mau lā i waena o kekahi poʻe hoihoi (e laʻa ʻo Richard Coulter).
Ua ʻike ʻia ke kenekulia 20 i ka piʻi nui ʻana o ka haku mele microtonal ma nā ʻano he nui e like me ka classical, jazz, modern avant-garde a me minimalism. ʻO Terry Riley kekahi mea kākoʻo mua o ka minimalism a ua hoʻohana ʻo La Monte Young i nā ʻano lōʻihi e pili ana i nā harmonics e kū ana ma waena o nā memo e hana i nā leo kani e hoʻokipa ai i ka poʻe e hoʻohana wale ana i nā mea hana hawewe a me nā drones. Ua kūkulu ʻia nā mea kani mua e like me quartetto d'accordi no kēia mau hana me nā lawelawe mai nā mea hana ʻole a i ʻole nā mea hana maʻamau i kūkulu ʻia e nā haumāna e hoʻāʻo nei i kahi mea hou. Ua ʻae ʻia nā kamepiula i kēia manawa i ka ʻoi aku ka nui o ka hoʻokolohua microtonal me nā mea hoʻoponopono puke i hoʻolālā ʻia no kēia kumu aʻo nā pūʻolo polokalamu e hiki ai i nā mea haku mele ke ʻimi maʻalahi i nā mea hiki ʻole i loaʻa i loko o ka microtonality hoʻokolohua hoʻokalakupua i haku ʻia nā mea hana ma mua e haʻalele i ka hoʻokele lima ʻana ma muli o ka nui o nā helu. pili a i ʻole nā palena kino e kaupalena ana i ka mea hiki iā lākou ke hoʻomalu i ke mele i kēlā me kēia manawa.
Mele microtonal ke kenekulia 20
I ke kenekulia iwakālua, ua hoʻomaka ka poʻe haku mele hou e hoʻāʻo me nā hui microtonal, me ka hoʻohana ʻana iā lākou e haʻalele i nā ʻano tonal kuʻuna a hoʻoweliweli i ko mākou mau pepeiao. Ma hope o kekahi manawa o ka noiʻi ʻana i nā ʻōnaehana hoʻokani a me ka ʻimi ʻana i ka hapahā-leo, ʻelima-leo a me nā microtonal harmonies ʻē aʻe, i ka waena o ke kenekulia 20 ʻike mākou i ka puka ʻana o nā paionia i microtonality e like me Charles Ives, Charles Seeger a me George Crumb.
He loea mele ʻo Charles Seeger nāna i hoʻokūkū no ka tonality integrated - he ʻōnaehana kahi e hoʻokani like ʻia ai nā memo he ʻumikumamālua a loaʻa ke koʻikoʻi like i ka haku mele a me ka hana. Manaʻo pū ʻo Seeger e māhele ʻia nā wā e like me ka hapalima i 3 a i ʻole 7 ma mua o ka hoʻoikaika ʻia ʻana e ka octave a i ʻole ka hā kūpono.
I ka pau ʻana o nā makahiki 1950, ua hoʻolālā ka mea haku mele Farani ʻo Abraham Moles i kāna i kapa ʻia ʻo 'ultraphonics' a i ʻole 'chromatophony', kahi i hoʻokaʻawale ʻia ai ka pālākiō 24-note i ʻelua mau pūʻulu o nā memo he ʻumikumamālua i loko o kahi octave ma mua o ka unahi chromatic hoʻokahi. Ua ʻae ʻia kēia no nā dissonance like ʻole e like me nā tritones a i ʻole nā hāhā i hoʻonui ʻia i hiki ke lohe ʻia ma nā album e like me Pierre Boulez's Third Piano Sonata a i ʻole Roger Reynolds' Four Fantasies (1966).
I kēia mau lā, ua ʻimi nā haku haku ʻē aʻe e like me Julian Anderson i kēia ao o nā timbres hou i hiki ke hana ʻia e ke kākau microtonal. I kēia manawa, hoʻohana ʻia nā microtones no ka hoʻoulu ʻana a me ka hoʻohaʻahaʻa ʻana ma o nā dissonances leo maʻalahi akā nani e pale wale i kā mākou lohe kanaka.
Nā Laʻana o Microtonal Music
ʻO ka Microtonality kahi ʻano mele kahi i hoʻokaʻawale ʻia ai nā ʻokoʻa ma waena o nā memo i nā ʻāpana liʻiliʻi ma mua o nā ʻōnaehana hoʻokani kuʻuna e like me ka ʻumikūmālua-leo like ʻana. ʻO kēia ka mea e hiki ai ke hana ʻia nā ʻano mele like ʻole a hoihoi. ʻO nā hiʻohiʻona o nā mele microtonal e pili ana i nā ʻano ʻano like ʻole, mai ka maʻamau a i ka hoʻokolohua a ma waho. E ʻimi kākou i kekahi o lākou.
Harry Partch
ʻO Harry Partch kekahi o nā paionia kaulana loa i ka honua o nā mele microtonal. Ua mahalo nui ʻia ʻo Partch ka haku mele ʻAmelika, theorist a me ka mea hana mea hana no ka hana ʻana a me ka hoʻomohala ʻana i ke ʻano.
Ua ʻike ʻia ʻo Partch no ka hoʻokumu ʻana a i ʻole ka hoʻoulu ʻana i kahi ʻohana holoʻokoʻa o nā mea kani microtonal me ka Adapted Violin, adapted viola, Chromelodeon (1973), Harmonic Canon I, Cloud Chamber Bowls, Marimba Eroica, a me Diamond Marimba– i waena o kekahi. Ua kapa ʻo ia i kona ʻohana holoʻokoʻa he 'corporeal' mea kani - ʻo ia hoʻi ua hoʻolālā ʻo ia iā lākou me nā hiʻohiʻona sonic kikoʻī i mea e hoʻopuka ai i nā kani kikoʻī āna i makemake ai e hōʻike i kāna mele.
Aia i loko o ka repertoire e Partch kekahi mau hana seminal - The Bewitched (1948-9), Oedipus (1954) a ma ka lā ʻehiku ʻo Petals i hāʻule i Petaluma (1959). I loko o kēia mau hana, ua hui pū ʻo Partch i ka ʻōnaehana hoʻokani leo ʻana i kūkulu ʻia e Partech me nā ʻano pāʻani percussive a me nā manaʻo hoihoi e like me nā huaʻōlelo i ʻōlelo ʻia. He ʻokoʻa kona ʻano ʻoiai e hui pū ana i nā pauku melodic a me nā ʻenehana avant-garde me nā honua mele ma mua o nā palena tonal o ʻEulopa.
Ke hoʻomau nei ka mana nui o Partch i ka microtonality i kēia mau lā no ka mea ua hāʻawi ʻo ia i ka poʻe haku mele i ala e ʻimi ai i nā kani ma mua o nā mea i hoʻohana ʻia i nā tonality Western maʻamau. Ua hana ʻo ia i kahi mea maoli maoli me kāna hui ʻana i nā ʻāpana like ʻole mai nā moʻomeheu mele ʻē aʻe a puni ka honua - ʻo ia hoʻi nā mele poʻomanaʻo Kepanī a me Pelekane - ma o kāna ʻano hui e komo pū ana i ka pahu pahu ma nā kīʻaha metala a i ʻole nā pālāʻau a me ke mele ʻana i loko o nā ʻōmole a i ʻole nā ipu. Kūʻē ʻo Harry Partch ma ke ʻano he kumu hoʻohālike maikaʻi loa o ka haku mele nāna i hoʻāʻo me nā ala hoihoi i ka hana ʻana i nā mele microtonal!
Lou Harrison
He haku mele ʻAmelika ʻo Lou Harrison i kākau nui i nā mele microtonal, i kapa pinepine ʻia ʻo "American master of microtones". Ua ʻimi ʻo ia i nā ʻōnaehana hoʻokani pila, me kāna ʻōnaehana hoʻokani ponoʻī ponoʻī.
ʻO kāna ʻāpana "La Koro Sutro" he kumu hoʻohālike maikaʻi loa ia o ka mele microtonal, me ka hoʻohana ʻana i kahi pālākiō maʻamau i hana ʻia me 11 mau memo no ka octave. Hoʻokumu ʻia ke ʻano o kēia ʻāpana i ka opera Kina a me ka hoʻohana ʻana i nā leo kuʻuna ʻole e like me nā kīʻaha hīmeni a me nā mea kani ʻAsia.
ʻO nā ʻāpana ʻē aʻe a Harrison e hōʻike ana i kāna hana nui i ka microtonality e komo pū me "A Mass for Peace," "The Grand Duo," a me "Four Strict Songs Rambling." Ua ʻimi ʻo ia i ka jazz manuahi, e like me kāna ʻāpana 1968 "Future Music mai Maine." E like me kekahi o kāna mau hana mua, hilinaʻi kēia ʻāpana i nā ʻōnaehana hoʻokani leo kani no kāna mau pitch. I kēia hihia, hoʻokumu ʻia nā kikowaena pitch ma luna o ka mea i ʻike ʻia he ʻōnaehana harmonic series - kahi ʻenehana hoʻohālikelike maʻamau no ka hoʻokumu ʻana i ka lokahi.
Hōʻike nā hana microtonal a Harrison i ka paʻakikī nani a lilo ia i hōʻailona no ka poʻe e ʻimi nei i nā ala hoihoi e hoʻonui ai i ka tonality kuʻuna i kā lākou haku mele ponoʻī.
Ben Johnston
Ua manaʻo ʻia ʻo Ben Johnston ka haku mele ʻAmelika kekahi o nā haku mele kaulana loa ma ka honua o nā mele microtonal. ʻO kāna mau hana ʻo ia ʻo Variations for orchestra, String Quartets 3-5, kāna magnum opus Sonata no Microtonal Piano a me kekahi mau hana kaulana ʻē aʻe. Ma kēia mau ʻāpana, hoʻohana pinepine ʻo ia i nā ʻōnaehana hoʻokani ʻē aʻe a i ʻole microtones, e ʻae iā ia e ʻimi i nā mea hiki ke hiki ʻole me ka ʻumikūmālua leo kuʻuna like ʻole.
Ua hoʻomohala ʻo Johnston i ka mea i kapa ʻia ʻo ka hoʻonui wale ʻana, kahi i haku ʻia ai kēlā me kēia manawa mai nā leo like ʻole i loko o ka laulā o ʻelua octaves. Ua kākau ʻo ia i nā ʻāpana ma nā ʻano mele a pau - mai ka opera a i ke keʻena mele a me nā hana i haku ʻia e ka lolouila. ʻO kāna mau hana paionia i hoʻonohonoho i ke ʻano no kahi makahiki hou e pili ana i nā mele microtonal. Ua loaʻa iā ia ka mahalo nui ma waena o nā mea mele a me nā mea hoʻonaʻauao, e lanakila ana iā ia iho i nā makana he nui i kāna ʻoihana holomua.
Pehea e hoʻohana ai i ka Microtonality i ke mele
Hiki i ka hoʻohana ʻana i ka microtonality i ke mele ke wehe i kahi hoʻonohonoho hou o nā mea hiki ke hana i nā mele kūʻokoʻa a hoihoi. Hāʻawi ka Microtonality i ka hoʻohana ʻana i nā manawa a me nā mele i ʻike ʻole ʻia i nā mele kahiko o Western, e ʻae ai i ka ʻimi mele a me ka hoʻokolohua. E kūkākūkā kēia ʻatikala i ke ʻano o ka microtonality, pehea e hoʻohana ʻia ai i ke mele, a pehea e hoʻokomo ai i loko o kāu haku mele ponoʻī.
E koho i kahi ʻōnaehana hoʻoponopono
Ma mua o ka hoʻohana ʻana i ka microtonality i ke mele, pono ʻoe e koho i kahi ʻōnaehana hoʻokani. Nui nā ʻōnaehana hoʻokani ma laila a kūpono kēlā me kēia no nā ʻano mele like ʻole. Loaʻa nā ʻōnaehana hoʻokani maʻamau:
-Ka Intonation wale: ʻO ka intonation wale nō ke ʻano o ka hoʻopaʻa ʻana i nā memo i nā wā maʻemaʻe e kani maikaʻi a kūlohelohe. Hoʻokumu ʻia ia ma nā lakio makemakika kūpono a hoʻohana wale i nā wā maʻemaʻe (e like me nā leo holoʻokoʻa, nā hapalima, a pēlā aku). Hoʻohana pinepine ʻia i nā mele kahiko a me nā mele ethnomusicology.
-Equal Temperament: Hoʻokaʻawale ke ʻano like i ka octave i ʻumikūmālua mau manawa like i mea e hana ai i kahi kani kūlike ma nā kī āpau. ʻO kēia ka ʻōnaehana maʻamau i hoʻohana ʻia i kēia lā e nā mea hoʻokani pila o ke Komohana no ka mea e hāʻawi maikaʻi iā ia iho i nā melodies e hoʻololi pinepine a neʻe paha ma waena o nā tonalities like ʻole.
-Meantone Temperament: Māhele ʻo Meantone temperament i ka octave i ʻelima mau ʻāpana like ʻole i mea e hōʻoia ai i ka leo ponoʻī no nā wā koʻikoʻi - e hana i kekahi mau memo a i ʻole nā unahi i ʻoi aku ka consonant ma mua o nā mea ʻē aʻe - a he mea pono paha no nā mea hoʻokani pila i nā mele Renaissance, mele Baroque, a i ʻole kekahi. nā ʻano mele makaʻāinana.
-Harmonic Temperament: He ʻokoʻa kēia ʻōnaehana mai ke ʻano like ʻole ma ka hoʻokomo ʻana i nā ʻano liʻiliʻi i mea e hana ai i kahi kani mahana, ʻoi aku ka kūlohelohe ʻaʻole e luhi i ka poʻe hoʻolohe i nā manawa lōʻihi. Hoʻohana pinepine ʻia no ka jazz improvisational a me nā ʻano mele honua a me nā haku mele mele i kākau ʻia i ka wā baroque.
ʻO ka hoʻomaopopo ʻana i ka ʻōnaehana kūpono loa i kāu mau pono e kōkua iā ʻoe e hoʻoholo i ka ʻike i ka wā e hana ai i kāu mau ʻāpana microtonal a e hoʻomālamalama pū i kekahi mau koho haku mele i loaʻa iā ʻoe ke kākau i kāu mau ʻāpana.
E koho i kahi mea kani microtonal
Hoʻomaka ka hoʻohana ʻana i ka microtonality i ke mele me ke koho ʻana i ka mea kani. Nui nā mea kani, e like me nā piano a me nā kīkā, ua hoʻolālā ʻia no ka hoʻokani like ʻana - he ʻōnaehana e hana ana i nā wā āpau me ke kī octave o 2:1. Ma kēia ʻōnaehana hoʻokani, ua māhele ʻia nā memo a pau i 12 mau manawa like, i kapa ʻia he semitones.
ʻO kahi mea kani i hoʻolālā ʻia no ka hoʻokani ʻana like-tempered ua kaupalena ʻia i ka pāʻani ʻana i kahi ʻōnaehana tonal me 12 mau pitch ʻokoʻa wale nō i kēlā me kēia octave. No ka hana ʻana i nā kala tonal pololei loa ma waena o kēlā 12 pitches, pono ʻoe e hoʻohana i kahi mea kani i hoʻolālā ʻia no ka microtonality. Hiki i kēia mau mea kani ke hana i ʻoi aku ma mua o 12 mau leo ʻokoʻa i kēlā me kēia octave me ka hoʻohana ʻana i nā ʻano ʻano like ʻole - kekahi mau mea kani microtonal maʻamau i loaʻa nā mea kani fretless e like me pahi kāʻei uila, nā kaula kulou e like me violin a me viola, woodwinds a me kekahi mau kī (e like me flexatones).
ʻO ke koho maikaʻi loa o ka mea kani e hilinaʻi ʻia i kou ʻano a me kou makemake leo - makemake kekahi mau mea mele e hana me nā mea kani kahiko a i ʻole nā mea kani kanaka a ʻo nā mea ʻē aʻe e hoʻāʻo me nā hui uila a i ʻole nā mea i loaʻa e like me nā paipu a i ʻole nā ʻōmole. Ke koho ʻoe i kāu mea kani ka manawa e ʻimi ai i ka honua o microtonality!
E hoʻomaʻamaʻa i ka microtonal improvisation
Ke hoʻomaka nei e hana me nā microtones, ʻo ka hoʻomaʻamaʻa ʻana i ka microtonal improvisation hiki ke lilo i wahi hoʻomaka maikaʻi. E like me nā hana improvisation, he mea nui e mālama i kāu mea e pāʻani nei a nānā i kāu holomua.
I ka wā o ka hoʻomaʻamaʻa ʻana i ka microtonal improvisation, e hoʻoikaika e kamaʻāina i ka hiki o kāu mau mea kani a hoʻomohala i kahi ala pāʻani e hōʻike ana i kāu mau mele ponoʻī a haku mele. Pono ʻoe e noʻonoʻo i nā hiʻohiʻona a i ʻole nā motif e puka mai ana i ka wā e hoʻoponopono ai. He mea waiwai nui ka noʻonoʻo ʻana i ka mea i manaʻo ʻia e hana maikaʻi ana i ka wā o kahi improvised pauku, no ka mea, hiki ke hoʻohui ʻia kēia mau ʻano ʻano a i ʻole nā kiʻi i loko o kāu haku mele ma hope.
Pono pono ka Improvisation no ka hoʻomohala ʻana i ka maʻalahi i ka hoʻohana ʻana i nā microtones e like me nā pilikia ʻenehana āu e ʻike ai i ke kaʻina hana improvisational hiki ke kamaʻilio ʻia ma hope i ka wā o ka haku mele. ʻO ka hoʻolālā ʻana i mua e pili ana i ka ʻenehana a me nā pahuhopu hoʻolālā e hāʻawi iā ʻoe i ke kūʻokoʻa noʻonoʻo no ka wā ʻaʻole holo pono kekahi mea e like me ka mea i hoʻolālā ʻia! Hiki ke loaʻa nā kumu paʻa o ka microtonal improvisations i ke kuʻuna mele - e noʻonoʻo e ʻimi i nā ʻōnaehana mele komohana ʻole i aʻa i loko o nā hana microtonal like ʻole e like me nā mea i loaʻa ma waena o nā ʻohana Bedouin mai ʻApelika ʻĀkau, ma waena o nā mea ʻē aʻe!
Panina
I ka hopena, ʻo ka microtonality kahi ʻano hou a koʻikoʻi o ka haku mele a me ka hana. ʻO kēia ʻano o ka haku mele ʻana i ka helu o nā leo i loaʻa i loko o kahi octave i mea e hana ai i nā leo a me nā ʻano hou. ʻOiai ua puni ka microtonality no nā kenekulia ua lilo ia i mea kaulana loa i nā makahiki he ʻelua i hala. ʻAʻole ia i ʻae i ka haku mele ʻoi aku ka nui akā ua ʻae pū kekahi i kekahi mau haku mele e hōʻike i nā manaʻo i hiki ʻole ke hiki ma mua. E like me kēlā me kēia ʻano mele, ʻo ka noʻonoʻo a me ka ʻike mai kahi mea pena kiʻi ka mea nui i ka hōʻoia ʻana i ka hiki ʻana o nā mele microtonal i kona hiki piha.
ʻO wau ʻo Joost Nusselder, ka mea nāna i hoʻokumu iā Neaera a me kahi mea kūʻai aku ʻike, makuakāne, a makemake hoʻi e hoʻāʻo i nā mea hana hou me ka guitar ma ka puʻuwai o koʻu makemake, a me kaʻu hui, ua hana wau i nā ʻatikala blog hohonu mai 2020 e kōkua i ka poʻe heluhelu kūpaʻa me nā ʻōlelo aʻoaʻo hoʻopaʻa leo a me nā kīkā.
