Microtonality kalma ce da aka saba amfani da ita don siffanta kiɗan da aka haɗa ta amfani da tazara ƙasa da na gargajiya na yammacin semitone.
Yana ƙoƙari ya rabu da tsarin kiɗa na gargajiya, yana mai da hankali a maimakon tazara na musamman, don haka ƙirƙirar ƙarin bambance-bambancen sauti na zahiri.
Waƙar Microtonal ta ga karuwar shahara a cikin shekaru goma da suka gabata yayin da mawaƙa ke ƙara bincika sabbin hanyoyin magana ta hanyar kiɗan su.
Yawancin lokaci ana samun shi a cikin nau'ikan lantarki da na lantarki irin su EDM, amma kuma yana samun hanyar zuwa pop, jazz da salon gargajiya da sauransu.
Microtonality yana faɗaɗa kewayon kayan aiki da sautunan da aka yi amfani da su a cikin abun da ke ciki, yana ba da damar ƙirƙirar filayen sauti na musamman na musamman waɗanda kawai za a iya ji ta amfani da microtones.
Baya ga aikace-aikacen sa na ƙirƙira, kiɗan microtonal kuma yana ba da maƙasudin nazari - baiwa mawaƙa damar yin nazari ko nazarin tsarin daidaitawa da ma'auni tare da daidaito mafi girma fiye da yadda za'a iya samu tare da daidaita yanayin yanayin 'gargajiya' daidai gwargwado (ta amfani da semitones).
Wannan yana ba da damar bincika kusancin alaƙar mitar jituwa tsakanin bayanin kula.
Ma'anar Microtonality
Microtonality kalma ce da aka yi amfani da ita a ka'idar kiɗa don kwatanta kiɗa tare da tazarar ƙasa da sautin. Kalmomin da aka yi amfani da su don tazara ƙasa da rabin mataki na kiɗan Yamma. Microtonality bai iyakance ga kiɗan Yamma ba kuma ana iya samunsa a cikin kiɗan al'adu da yawa a duniya. Bari mu bincika abin da wannan ra'ayi ke nufi a cikin ka'idar kiɗa da abun ciki.
Menene microtone?
Microtone wani yanki ne na ma'auni da ake amfani da shi a cikin kiɗa don kwatanta sautin ko sautin da ya faɗi tsakanin sautunan kunna sautin gargajiya 12 na yammacin yamma. Sau da yawa ana kiranta da "microtonal," ana amfani da wannan ƙungiyar sosai a cikin kiɗan gargajiya da na duniya kuma tana haɓaka cikin shahara tsakanin mawaƙa da masu sauraro.
Microtones suna da amfani don ƙirƙirar laushi mara kyau da bambance-bambancen jituwa mara tsammani a cikin tsarin tonal da aka ba. Ganin cewa gyaran sautin na gargajiya 12 yana raba octave zuwa semitones goma sha biyu, microtonality yana amfani da tazara mafi kyau fiye da waɗanda aka samu a cikin kiɗan gargajiya, kamar sautunan kwata, kashi uku na sautunan, har ma da ƙananan rarrabuwa da aka sani da tsaka-tsakin "ultrapolyphonic". Waɗannan ƙananan raka'a sau da yawa suna iya ba da sauti na musamman wanda zai iya zama da wahala a bambanta lokacin da kunnen ɗan adam ya saurare shi ko kuma wanda zai iya haifar da sabbin haɗe-haɗe na kiɗa waɗanda ba a taɓa bincika ba.
Amfani da microtones yana ba masu yin wasan kwaikwayo da masu sauraro damar yin hulɗa tare da kayan kida a matakin asali, galibi yana ba su damar jin ƙayatattun abubuwan da ba za su iya ji a baya ba. Waɗannan ma'amala masu ma'ana suna da mahimmanci don bincika haɗaɗɗun alaƙar jituwa, ƙirƙirar sauti na musamman waɗanda ba za su yuwu ba tare da kayan aikin yau da kullun kamar pianos ko guitars, ko gano sabbin duniyoyi masu ƙarfi da magana ta hanyar sauraro.
Ta yaya microtonality ya bambanta da kiɗan gargajiya?
Microtonality dabara ce ta kiɗan da ke ba da damar raba bayanin kula zuwa ƙananan raka'a fiye da tazara da aka yi amfani da su a cikin kiɗan Yammacin Turai na gargajiya, waɗanda suka dogara da rabi da duka matakai. Yana ɗaukar tazara mafi kunkuntar fiye da na na gargajiya, yana rarraba octave zuwa sautuna 250 ko fiye. Maimakon dogara ga babba da ƙananan sikelin da aka samo a cikin kiɗan gargajiya, kiɗan microtonal yana ƙirƙirar ma'aunin kansa ta amfani da waɗannan ƙananan sassa.
Kiɗa na Microtonal sau da yawa yana haifar da ɓarna da ba zato ba tsammani (madaidaicin haɗe-haɗe na filaye biyu ko fiye) waɗanda ke mai da hankali kan hanyoyin da ba za a iya samu tare da ma'aunin gargajiya ba. A cikin jituwa na al'ada, gungu na bayanin kula fiye da hudu suna haifar da rashin jin daɗi saboda karon su da rashin kwanciyar hankali. Sabanin haka, abubuwan da ke haifar da jituwa ta microtonal na iya jin daɗi sosai dangane da yadda ake amfani da su. Wannan bambance-bambancen na iya ba da ƙayyadaddun rubutu, zurfi da rikitarwa zuwa wani yanki na kiɗa wanda ke ba da damar yin magana mai ƙirƙira da bincike ta hanyar haɗakar sauti daban-daban.
A cikin kiɗan microtonal kuma akwai dama ga wasu mawaƙa don haɗa al'adun su cikin abubuwan da suka tsara ta hanyar zana al'adun gargajiya na gargajiya waɗanda ba na yammacin yamma ba kamar ragas na Indiya ta Arewa ko ma'aunin Afirka inda ake amfani da sautunan kwata ko ma mafi kyawun rarrabuwa. Mawakan Microtonal sun ɗauki wasu abubuwa daga waɗannan nau'ikan yayin da suke sanya su zama na zamani ta hanyar haɗa su da abubuwa daga salon kiɗa na Yamma, suna haifar da sabon zamani mai ban sha'awa na binciken kiɗan!
Tarihin Microtonality
Microtonality yana da dogon tarihi mai arziƙi a cikin kiɗan da ya miƙe zuwa al'adu da al'adu na farko. Mawaƙan Microtonal, irin su Harry Partch da Alois Hába, suna rubuta waƙar microtonal tun farkon ƙarni na 20, kuma kayan aikin microtonal sun fi tsayi. Yayin da ake danganta microtonality sau da yawa tare da kiɗa na zamani, yana da tasiri daga al'adu da ayyuka a duniya. A cikin wannan sashe, za mu bincika tarihin microtonality.
Tsohon da kuma farkon kiɗa
Microtonality - yin amfani da tazarar ƙasa da rabin mataki - yana da dogon tarihi da wadata. Masanin kade-kade na tsohuwar Girka Pythagoras ya gano daidaiton tazarar kida zuwa ma'auni na ƙididdigewa, wanda ya ba da hanya ga masu ilimin kiɗan kamar Eratosthenes, Aristoxenus da Ptolemy don haɓaka tunaninsu na kunna kiɗan. Gabatar da kayan aikin madannai a cikin karni na 17 ya haifar da sabbin damammaki don binciken microtonal, yana mai da sauƙin gwaji tare da ma'auni fiye da na na'urar kunna sauti na gargajiya.
Zuwa karni na 19, an sami fahimtar juna wanda ya hada da fahimtar microtonal. Haɓaka irin su rarrashin yanayi a Faransa (d'Indy da Debussy) sun ga ƙarin gwaje-gwaje a cikin abun da ke ciki na microtonal da tsarin kunnawa. A cikin Rasha Arnold Schönberg ya binciko ma'aunin sautin kwata kuma yawancin mawaƙa na Rasha sun binciko jituwa ta kyauta a ƙarƙashin tasirin Alexander Scriabin. An bi wannan a cikin Jamus daga mawaki Alois Hába wanda ya haɓaka tsarinsa bisa sautuna kwata amma har yanzu yana bin ƙa'idodin jituwa na gargajiya. Daga baya, Partch ya ɓullo da nasa kawai tsarin kunna sauti wanda har yanzu ya shahara a tsakanin wasu masu sha'awar (misali Richard Coulter).
Ƙarni na 20 ya ga babban haɓakawa a cikin ƙirar microtonal a yawancin nau'o'in da suka haɗa da na gargajiya, jazz, avant-garde na zamani da kuma minimalism. Terry Riley ya kasance farkon wanda ke goyon bayan minimalism kuma La Monte Young ya yi amfani da tsawaita sautin da ya haɗa da jituwa da ke faruwa tsakanin bayanan kula don ƙirƙirar sautin sauti waɗanda ke shigar da masu sauraro ba tare da amfani da komai ba sai masu samar da igiyar ruwa. Kayan aikin farko irin su quartetto d'accordi an gina su musamman don waɗannan dalilai tare da sabis daga masu yin al'ada ko al'ada waɗanda ɗalibai suka gina suna ƙoƙarin sabon abu. Kwanan nan kwamfutoci sun ba da damar samun ƙarin damar yin gwajin microtonal tare da ƙira masu sarrafa litattafai musamman don wannan dalili yayin da fakitin software ke ba wa mawaƙan damar gano damar da ba ta da iyaka da ke akwai a cikin ƙirar kidan gwajin microtonality a baya da masu yin wasan sun nisanta daga sarrafa da hannu saboda lambobi masu yawa. iyakoki na jiki ko na jiki suna iyakance abin da za su iya sarrafawa cikin waƙa a kowane lokaci cikin lokaci.
Ƙarni na 20 microtonal kiɗa
A cikin karni na ashirin, mawaƙa na zamani sun fara gwaji tare da haɗin gwiwar microtonal, suna amfani da su don rabu da nau'i na tonal na gargajiya da kuma ƙalubalanci kunnuwanmu. Bayan wani lokaci na bincike kan tsarin daidaitawa da bincika sautin kwata, sautin biyar da sauran jituwa na microtonal, a tsakiyar karni na 20 mun sami fitowar majagaba a cikin microtonality kamar Charles Ives, Charles Seeger da George Crumb.
Charles Seeger masanin kide-kide ne wanda ya yi nasara don haɗakar sautin - tsarin da ake daidaita duk bayanin kula guda goma sha biyu daidai gwargwado kuma suna da mahimmaci daidai a cikin tsarin kiɗan da wasan kwaikwayo. Seeger kuma ya ba da shawarar cewa ya kamata a raba tazara kamar na biyar zuwa kashi 3 ko na 7 maimakon a ƙarfafa su ta hanyar octave ko cikakke na huɗu.
A ƙarshen 1950s, masanin kiɗan Faransa Abraham Moles ya ƙirƙira abin da ya kira 'ultraphonics' ko 'chromatophony', inda aka raba ma'aunin bayanin kula 24 zuwa rukuni biyu na bayanin kula goma sha biyu a cikin octave maimakon ma'aunin chromatic guda ɗaya. Wannan yana ba da damar ɓata lokaci guda kamar tritones ko ƙarin kashi huɗu waɗanda za a iya ji akan kundi kamar Pierre Boulez's na uku Piano Sonata ko Roger Reynolds' Four Fantasies (1966).
Kwanan nan, sauran mawaƙa irin su Julian Anderson suma sun binciko wannan duniyar na sabbin timbres da aka yi ta hanyar rubutun microtonal. A cikin kiɗan gargajiya na zamani ana amfani da microtones don haifar da tashin hankali da ambivalence ta hanyar dabara amma kyawawan sautin rashin fahimta waɗanda kawai ke guje wa damar jin ɗan adam.
Misalai na Microtonal Music
Microtonality wani nau'i ne na kiɗa wanda aka raba tazara tsakanin bayanan kula zuwa ƙarami fiye da na tsarin daidaitawa na gargajiya kamar yanayin sautin guda goma sha biyu daidai. Wannan yana ba da damar ƙirƙirar nau'ikan kiɗa na ban mamaki da ban sha'awa don ƙirƙirar. Misalai na kiɗan microtonal sun faɗi nau'o'in nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan misalan misalan misalan, daga na gargajiya zuwa na gwaji da ƙari. Bari mu bincika kaɗan daga cikinsu.
Harry Partch
Harry Partch yana ɗaya daga cikin sanannun majagaba a duniyar kiɗan microtonal. Mawaƙin Ba'amurke, masanin ra'ayi da maginin kayan aiki Partch an ba da fifiko ga ƙirƙira da haɓaka nau'in.
An san Partch don ƙirƙira ko ƙarfafa gabaɗayan dangin kayan aikin microtonal ciki har da Adapted Violin, adapted viola, Chromelodeon (1973), Harmonic Canon I, Cloud Chamber Bowls, Marimba Eroica, da Diamond Marimba – da sauransu. Ya kira dukkan danginsa kayan kida da kayan kida na 'corporeal' - wato ya ƙera su da takamaiman halayen sonic don fitar da takamaiman sauti da yake son bayyanawa a cikin waƙarsa.
Repertoire ta Partch ya haɗa da ƴan ayyuka na seminal - The Bewitched (1948-9), Oedipus (1954) da kuma A Rana ta Bakwai Petals Fall a Petaluma (1959). A cikin waɗannan ayyukan Partch sun haɗu kawai tsarin kunna sauti wanda Partech ya gina tare da salon wasa mai ban sha'awa da ra'ayoyi masu ban sha'awa kamar kalmomin magana. Salon nasa na musamman ne domin yana haɗa waƙoƙin waƙoƙi da kuma dabarun avant-garde tare da duniyar kiɗan da ta wuce iyakokin tonal na Yammacin Turai.
Muhimman gudummawar da Partch ya bayar ga microtonality har yanzu yana ci gaba da yin tasiri a yau saboda ya bai wa mawaƙa hanya don bincika tuning fiye da waɗanda aka yi amfani da su a cikin tonalities na yammacin yamma. Ya ƙirƙiri wani abu na gaske na ainihi tare da haɗakar nau'ikan nau'ikan nau'ikan nau'ikan kida daban-daban daga sauran al'adun kiɗan a duk faɗin duniya - musamman wakokin jama'a na Jafananci da Ingilishi - ta hanyar salon sa na kamfani wanda ya haɗa da ganguna a kan kwano na ƙarfe ko shingen katako da rera waƙa cikin kwalabe ko vases. Harry Partch ya fice a matsayin misali na ban mamaki na mawaƙi wanda ya yi gwaji tare da hanyoyi masu ban sha'awa don ƙirƙirar kiɗan microtonal!
Lou Harrison
Lou Harrison mawakin Ba’amurke ne wanda ya yi rubuce-rubuce da yawa a cikin kiɗan microtonal, wanda galibi ana kiransa “Maigidan Ba’amurke na microtones”. Ya binciko tsarin daidaitawa da yawa, gami da nasa tsarin innation kawai.
Yankinsa "La Koro Sutro" babban misali ne na kiɗan microtonal, ta yin amfani da ma'auni mara kyau wanda aka yi da bayanin kula 11 a kowace octave. Tsarin wannan yanki ya dogara ne akan wasan opera na kasar Sin kuma ya haɗa da yin amfani da sautunan da ba na al'ada ba kamar kwanon waƙa da kayan kidan Asiya.
Sauran sassa na Harrison waɗanda ke misalta ayyukansa na ƙwararru a cikin microtonality sun haɗa da "A Mass for Peace," "Grand Duo," da "Ranar Waƙoƙin Waƙoƙi huɗu." Har ma ya shiga cikin jazz kyauta, kamar gunkinsa na 1968 "Kiɗa na gaba daga Maine." Kamar yadda yake tare da wasu ayyukansa na farko, wannan yanki ya dogara ne kawai akan tsarin kunna innation don filayensa. A wannan yanayin, tazarar farar ta dogara ne akan abin da aka sani da tsarin jigon jita-jita - dabara ce ta gama-gari don samar da jituwa.
Ayyukan microtonal na Harrison suna nuna kyawawan sarƙaƙƙiya kuma suna aiki azaman maƙasudai ga waɗanda ke neman hanyoyin ban sha'awa don faɗaɗa tonality na gargajiya a cikin abubuwan da suka haɗa.
Ben Johnston
Mawaƙin Ba’amurke Ben Johnston ana ɗaukarsa ɗaya daga cikin fitattun mawaƙa a duniyar waƙar microtonal. Ayyukansa sun haɗa da Variations for Orchestra, String Quartets 3-5, Magnum opus Sonata don Microtonal Piano da sauran manyan ayyuka. A cikin waɗannan ɓangarorin, yakan yi amfani da madadin tsarin daidaitawa ko microtones, waɗanda ke ba shi damar bincika ƙarin yuwuwar jituwa waɗanda ba zai yiwu ba tare da sautin gargajiya goma sha biyu daidai gwargwado.
Johnston ya ɓullo da abin da ake kira faɗaɗa kawai shiga, wanda kowane tazara ya ƙunshi sautuna daban-daban a cikin kewayon octaves biyu. Ya rubuta guda a kusan dukkanin nau'ikan kiɗan - daga opera zuwa kiɗan ɗakin ɗaki da ayyukan da aka ƙirƙira na kwamfuta. Ayyukansa na majagaba sun saita yanayin don sabon zamani dangane da kiɗan microtonal. Ya samu gagarumar karbuwa a tsakanin mawaka da masana ilimi, inda ya lashe kyaututtuka da dama a duk tsawon nasarar da ya samu.
Yadda ake Amfani da Microtonality a Kiɗa
Yin amfani da microtonality a cikin kiɗa na iya buɗe sabon saiti na dama don ƙirƙirar kiɗa na musamman, mai ban sha'awa. Microtonality yana ba da damar yin amfani da tazara da ƙididdiga waɗanda ba a samo su a cikin kiɗan gargajiya na Yammacin Turai ba, suna ba da izinin bincike na kiɗa da gwaji. Wannan labarin zai yi tsokaci kan menene microtonality, yadda ake amfani da shi a cikin kiɗa, da yadda ake haɗa shi cikin abubuwan haɗin ku.
Zaɓi tsarin kunnawa
Kafin ka iya amfani da microtonality a cikin kiɗa, kana buƙatar zaɓar tsarin kunnawa. Akwai tsarin kunnawa da yawa a can kuma kowannensu ya dace da nau'ikan kiɗan daban-daban. Tsarin daidaitawa gama gari sun haɗa da:
-Intonation kawai: Kawai innation hanya ce ta kunna bayanan kula zuwa tsattsauran ra'ayi waɗanda ke da daɗi da ɗabi'a. Ya dogara ne akan cikakkiyar ma'aunin lissafin lissafi kuma yana amfani da tazara mai tsafta kawai (kamar duka sautuna, kashi biyar, da sauransu). Ana amfani da shi sau da yawa a cikin kiɗan gargajiya da na ethnomusicology.
-Mai Daidaita Hali: Daidaitaccen yanayi yana raba octave zuwa tazara daidai gwargwado goma sha biyu don ƙirƙirar ingantaccen sauti a duk maɓallan. Wannan shi ne tsarin da aka fi amfani da shi a yau da mawakan Yammacin Turai ke amfani da shi yayin da yake ba da kansa da kyau ga waƙoƙin da ke daidaitawa akai-akai ko kuma suna motsawa tsakanin nau'i daban-daban.
Yanayin yanayi: Yanayin yanayi yana raba octave zuwa sassa biyar marasa daidaituwa don tabbatar da kawai shiga cikin tazara mai mahimmanci - yin wasu bayanan kula ko ma'auni fiye da sauran - kuma yana iya zama da amfani musamman ga mawaƙa waɗanda suka kware a kiɗan Renaissance, kiɗan Baroque, ko wasu. siffofin kiɗan jama'a.
-Harmonic Temperament: Wannan tsarin ya bambanta da daidaitaccen yanayi ta hanyar gabatar da ƴan banbance-banbance don samar da ɗumi, ƙarin sautin yanayi wanda baya gajiyar da masu sauraro na tsawon lokaci. Ana amfani da shi sau da yawa don haɓaka jazz da nau'ikan kiɗan duniya da kuma abubuwan ƙirƙira na gabobin gargajiya waɗanda aka rubuta yayin lokacin baroque.
Fahimtar tsarin da ya fi dacewa da bukatunku zai taimaka muku yanke shawara mai zurfi yayin ƙirƙirar guntun microtonal ɗin ku kuma zai haskaka wasu zaɓuɓɓukan haɗawa da kuke da su yayin rubuta guntun ku.
Zaɓi kayan aikin microtonal
Amfani da microtonality a cikin kiɗa yana farawa da zaɓin kayan aiki. Kayan kida da yawa, irin su pianos da guitars, an ƙera su ne don daidaita yanayin ɗabi'a - tsarin da ke tsara tazara ta amfani da maɓallin octave na 2:1. A cikin wannan tsarin daidaitawa, an raba duk bayanin kula zuwa 12 daidai tazara, wanda ake kira semitones.
Kayan aikin da aka ƙera don daidaitawa daidai-da-ƙasa yana iyakance ga yin wasa a cikin tsarin tonal tare da filaye daban-daban 12 kawai a kowace octave. Don samar da ingantattun launukan tonal tsakanin waɗancan filaye 12, kuna buƙatar amfani da kayan aikin da aka ƙera don microtonality. Waɗannan kayan aikin suna da ikon samar da sauti daban-daban sama da 12 a kowace octave ta amfani da hanyoyi daban-daban - wasu na'urorin microtonal na yau da kullun sun haɗa da kayan kirtani marasa ƙarfi kamar su. guitar guitar, igiyoyin ruku'u kamar violin da viola, iska mai iska da wasu maɓallan madannai (kamar flexatones).
Mafi kyawun zaɓi na kayan aiki zai dogara ne akan salon ku da zaɓin sauti - wasu mawaƙa sun fi son yin aiki da kayan gargajiya na gargajiya ko na jama'a yayin da wasu ke gwaji tare da haɗin gwiwar lantarki ko samo abubuwa kamar bututu ko kwalabe da aka sake yin fa'ida. Da zarar kun zaɓi kayan aikin ku lokaci yayi da zaku bincika duniyar microtonality!
Yi aikin haɓaka microtonal
Lokacin da aka fara aiki tare da microtones, aiwatar da ingantaccen tsarin microtonal na iya zama babban mafari. Kamar yadda yake tare da kowane aikin ingantawa, yana da mahimmanci a ci gaba da bin diddigin abin da kuke kunnawa da bincika ci gaban ku.
A yayin aikin haɓaka microtonal, yi ƙoƙari ku saba da iyawar kayan aikin ku kuma haɓaka hanyar yin wasa da ke nuna makasudin kiɗan ku. Hakanan ya kamata ku lura da kowane tsari ko ƙa'idodi waɗanda ke fitowa yayin haɓakawa. Yana da matuƙar mahimmanci a yi tunani a kan abin da ake ganin yana aiki da kyau a lokacin ingantaccen nassi, saboda ana iya shigar da waɗannan nau'ikan halaye ko ƙididdiga cikin abubuwan haɗin ku daga baya.
Ingantawa yana da amfani musamman don haɓaka haɓakar amfani da microtones kamar yadda duk wani al'amurran fasaha da kuka haɗu da su a cikin tsarin haɓakawa ana iya magance su daga baya yayin matakan haɗin gwiwa. Haɓaka gaba dangane da fasaha da maƙasudin ƙirƙira yana ba ku ƙarin ƴanci don lokacin da wani abu bai yi aiki ba kamar yadda aka tsara! Haɓakawa na Microtonal kuma na iya samun tushe mai ƙarfi a al'adar kiɗa - la'akari da bincika tsarin kiɗan da ba na yamma ba da ke da tushe a cikin ayyukan microtonal daban-daban kamar waɗanda aka samu tsakanin kabilun Bedouin daga Arewacin Afirka, da sauransu da yawa!
Kammalawa
A ƙarshe, microtonality sabon nau'i ne mai mahimmanci na kayan kida da wasan kwaikwayo. Wannan nau'i na abun da ke ciki ya ƙunshi sarrafa adadin sautunan da ake samu a cikin octave don ƙirƙirar na musamman da sabbin sautuna da yanayi. Kodayake microtonality ya kasance a cikin ƙarni na ƙarni amma ya zama sananne a cikin shekaru biyun da suka gabata. Ba wai kawai ya ba da izinin ƙirƙirar kida mai girma ba amma kuma ya ƙyale wasu mawaƙa su bayyana ra'ayoyin da ba zai yiwu ba a da. Kamar kowane nau'i na kiɗa, ƙirƙira da ilimi daga mai fasaha za su kasance mafi mahimmanci wajen tabbatar da cewa kiɗan microtonal ya kai ga cikakkiyar damarsa.
Ni Joost Nusselder, wanda ya kafa Neaera kuma ɗan kasuwan abun ciki, uba, kuma ina son gwada sabbin kayan aiki tare da guitar a zuciyar sha'awara, kuma tare da ƙungiyara, Ina ƙirƙirar labaran labarai masu zurfi tun daga 2020. don taimakawa masu karatu masu aminci tare da rikodi da tukwici na guitar.
