Kazuo Yairi fitaccen mai yin kida ne daga kasar Japan wanda aka yi la'akari da gabatar da duniya ga duniya. acoustic-lantarki guitar.
Aikin Yairi ya kai tun daga shekarun 1960 zuwa farkon shekarun 2000, inda ya kera wasu na'urori masu amfani da wutar lantarki na zamani.
da guita Shahararrun mawaƙa da yawa sun yi amfani da su, gami da Eric Clapton, John Lennon, Neil Young, da Mark Knopfler.
A cikin wannan labarin, za mu kalli rayuwa da ci gaban Kazuo Yairi.
Early Life
Kazuo Yairi (1923–1995) ɗan luthier ɗan Jafananci ne kuma mai yin gita wanda ya ƙirƙiri sabon sauti don gitar acoustic. Ya fara kera kayan kida tun yana yaro kuma a lokacin da yake balagagge, ya samar da wasu fitattun gitar nailan da ake girmamawa a duniya. Ayyukansa sun jawo hankalin mawaƙa masu aminci daga ƙasashe na duniya kuma ya zama ɗaya daga cikin manyan masu tasiri a masana'antar kayan aikin kiɗa.
Yairi ya fara rayuwa a 1923 sa’ad da aka haife shi kusa da Nagoya, Japan. Mahaifinsa mai yin violin ne wanda ya koya wa Yairi yadda ake yin kayan aikin hannu tun yana ƙarami. Yayin da yake matashi, Yairi ya sami horo a karkashin mai girma luthier wanda ke kusa da Nagoya - Takeharu Matsumoto. A cikin 1950, Yairi ya kafa nasa taron bita—Kazuo Yairi & Company—inda ya gina na gargajiya guitars da mandolins tare da lura da idonsa don cikakkun bayanai wanda ba da daɗewa ba ya sami yabo na duniya.
Daga 1970 zuwa gaba Kazuo Yairi ya haɗa kai tare da tsohon koyo Hideyo Alano don ƙirƙirar layin sa hannu na guitars na gargajiya, acoustics irin na Spain, acoustics na jumbo, da kuma nau'ikan acoustic na lantarki don yawon shakatawa/ rikodin mawaƙa. Wannan haɗin gwiwar ya sa Kazuo Yari & Kamfanin ya zama ɗayan manyan tarurrukan bita masu zaman kansu a Japan a wancan lokacin kafin kamfanin Alvarez -Yari ya siya shi a 1984 inda Kazuo ya ci gaba da aiki har sai ya yi ritaya jim kaɗan kafin mutuwarsa ta rashin lafiya saboda ciwon daji yana da shekaru 72 14 ga Agusta, 1995.
Career
An haifi Kazuo Yairi a birnin Tokyo na kasar Japan a shekara ta 1935. Ya fara aikinsa a matsayin injiniyan sauti a wani gidan rediyon Tokyo na kasar a shekarar 1955 inda ya koya wa kansa abubuwan da suka shafi nadi da kuma samarwa. Yayin da yake aiki akan ayyukan kiɗa daban-daban, Yairi ya sami wahayi ta hanyar rock & roll da kiɗan ƙasa na yamma, wanda ya jagoranci shi don haɓaka kayan aikin da aka ƙera don dacewa da sautin su.
A 1960, ya shiga kawasaki kuma sun ɓullo da ingantacciyar sigar gitar su ta ƙarfe mai suna samfurin Takamine. Sauran samfuran da aka tsara musamman don mawakan jazz kamar jerin FG sun biyo baya jim kaɗan. Babban mashahurin ci gabansa, duk da haka, ya zo ne tare da ƙirƙirar gitar sauti mai ban tsoro GD-20 a cikin 1965 wanda ya tabbatar da matsayin masana'antu na shekaru masu zuwa. Har ila yau, sababbin abubuwan nasa sun faɗaɗa zuwa wasu kayan kida kamar su mandolins da banjos waɗanda ya ƙirƙira a ƙarƙashin alamar Yamaha's Devilline da kuma gitatar Kirkbride wanda kamfaninsa mai zaman kansa ya samar.
A ƙarshe Yairi ya bar Yamaha a cikin 1976 kuma ya mai da hankali kan ƙoƙarinsa mai nisan mil 200 kudu a Shizuoka inda ya kafa Yairi Musical Instruments Co Ltd. Anan, ya ƙara faɗaɗa kewayon guitars ɗin da ke nuna nau'ikan jikin mutum daban-daban ko ya zama salo na gargajiya ko kuma tsawaita cutaway reisining pickguards. Ƙaunar da ya yi don haɓaka ƙirar ƙira ya sa ana ɗaukarsa a matsayin ɗaya daga cikin firaministan ƙasar Japan tun daga wannan lokacin har zuwa mutuwarsa yana da shekaru 84 a cikin 2019.
Tasiri kan Kiɗa
Sha'awar Kazuo Yairi ga sana'ar luthier ya sa ya zama mafi tasiri a cikin masu yin kata. An yaba masa a matsayin ƙwararren ƙwararren masani, wanda ya shahara saboda kulawar sa sosai ga dalla-dalla da kuma kayan aikin da ya ƙirƙira. Ayyukansa sun yi tasiri mai dorewa a duniyar kiɗa da guitar, kuma ana iya ganin tasirinsa a yau. Wannan labarin zai duba tasirin da Kazuo Yairi ya yi a kan kiɗa.
Sabuntawa a Tsarin Gita
Kazuo Yairi ƙwararren mai ƙirƙira ne kuma majagaba wajen ƙirƙirar ƙirar juyin juya hali don gita. Ya kalubalanci halin da ake ciki na yadda ake yin gita da gwadawa, samar da sabbin hanyoyin gini da hanyoyin zayyana kayan kida.
Ɗaya daga cikin manyan abubuwan da ya kirkira shine ƙirƙirar ƙirar takalmin gyaran kafa wanda ke ba da damar gyaggyara ingancin sautin sautin ba tare da yin tasiri ga ƙara ko daidaita daidaito ba. Wannan ƙirar ƙira ta ba masu ginin gita ƙarin iko don ƙirƙirar sautuna iri-iri waɗanda ba a taɓa jin su ba. Ya kuma ɓullo da wani tsari wanda za a iya zaɓar kayan da ake amfani da su wajen yin gita bisa la’akari da kaddarorinsu na tonal sannan a gwada su don tabbatar da sun ba da sakamako mafi kyau.
Bugu da ƙari, Kazuo Yairi ya yi aiki tuƙuru don nemo ingantattun hanyoyin da za a sa gita su yi sauti mafi kyau ta hanyar gabatar da wasu abubuwa kamar ƙaƙƙarfan zaɓen lantarki, tasiri kamar reverb da echo, da kuma zayyana na'urorin haɗi kamar makullin madauri don ƙarin aminci da amfani da kayan aiki. Binciken nasa ya kasance mai kima ga ƴan wasan guitar waɗanda ke son ƙarin sautin kayan aikin su fiye da yadda zai yiwu. Ta hanyar bullo da dabarun kere-kere na zamani hade da sana’ar gargajiya, kokarin Yairi ya sanya hatta ’yan wasa masu son samun damar samun ƙwararrun ƙwararrun ƙwararrun sauti daga na’urorin sauti a wannan zamani.
Sauti Na Musamman
Kazuo Yairi ƙwararren mai ƙirƙira ne na gaskiya a cikin duniyar gita mai sauti. An haife shi a shekara ta 1933, kuma a tsawon aikinsa, ya ƙera kayan kida tare da sauti na musamman wanda ya haɗa nasa dabarar - ginin 'Yairi-style'.
Yairi ya kawo sauyi a yanayin gitar tare da kulawa mara misaltuwa ga daki-daki da fasaha. An gina kayan aikin sa tare da zaɓaɓɓun saman spruce, ƙaƙƙarfan itace masu ƙarfi, ebony fretboards da takamaiman dabarun takalmin gyaran kafa waɗanda ke ba da damar ɗorewa da tsabta. Haɗin wuya da jiki wanda Yairi ya yi amfani da shi ya samar da tushe mai santsi ga igiyoyin, yana ba su damar yin rawar jiki ba tare da tsangwama daga siffar jiki ko taurin wuyan haɗin gwiwa ba.
William Eaton, wanda ya kafa William Eaton Strings kuma marubucin litattafai da yawa game da dangantakar dake tsakanin igiyoyi da jihohin kiɗa; “…”Kazuo Yairi ya kasance ɗaya daga cikin manyan ƙwararrun ƙwararru na kowane lokaci—ba ta fuskar ƙira ko ƙayatarwa ba amma ta fuskar sauti. Ayyukansa sun haɗu da tsararraki, tare da haɗa hanyoyin gargajiya na Japan don yin kayan aiki tare da fasahar zamani."
Baya ga nasa layin guitars a ƙarƙashin sunansa "Yairi" da Alvarez Yairi (cikin haɗin gwiwa tare da Alvarez guitars), Kazuo ya sami lambobin yabo da yawa a duk rayuwarsa ciki har da babbar lambar al'adu ta Japan a 1995 tare da lambar yabo ta nasarar rayuwa ta Tokai Gakki a 2004. Har wala yau yana ci gaba da zaburar da mawaka a duniya, domin har yanzu ana iya jin tsarinsa na musamman na fasahar kere-kere bayan shekaru da dama.
Legacy
Kazuo Yairi ya bar tasiri mai ɗorewa a duniyar kiɗa, musamman a kasuwar kaɗe-kaɗe da kayan gargajiya. An mutunta shi saboda fasahar sa da sadaukar da kai ga inganci, yana gabatar da ma'aikatan Jafananci zuwa kasuwannin Yamma tare da sabbin ka'idoji na inganci. An bayyana kayan aikin Yairi a matsayin abin dogaro, dawwama kuma suna da haɓaka iya yin wasa ko da a ƙananan farashi idan aka kwatanta da takwarorinsu na Turai.
Ana ganin tasirin gitar Yairi ba kawai a cikin gitar da ke ɗauke da sunansa ba har ma a cikin wasu gitas ɗin da ƴan ƙanƙanta suka ƙirƙira ta hanyar ƙirar Yairi. Har ila yau, an yaba masa da gina wasu na'urorin karafa na farko da aka yi daga Japan, wanda ya haifar da tasiri mai yawa wanda ya kai ga yawan samar da kayayyaki a cikin gida a farashi mai araha fiye da kowane lokaci. Amma duk da haka wani ɓangare na gadonsa ya rage a cikin samfuran kusan 200 da ya yi da kansa.
Yari ya yi amfani da fasahohin da ya ɓullo da su tsawon shekaru da dama na ƙwarewar aikin ƙarfe don sadar da ingantattun dabarun aikin itace waɗanda har yanzu suke nan. Abinda ya gada ya baiwa masu sha'awar kida a duk duniya damar samun manyan kayan kida ba tare da fasa banki ba. A zamanin yau, Kazuo Yari acoustic gitars sun shahara a matsayin wasu daga cikin mafi kyawun tsararru tare da fasalulluka waɗanda suka haɗa da allon yatsa masu ɗaure da kawuna, ƙaƙƙarfan rosettes, ƙwaya da sirdi tare da zaɓin ƙira da yawa daga siffofi na zamani zuwa ƙira na gargajiya kamar salon parlo & orchestra. - duk an ajiye su a cikin tsayayyen saman spruce ko mahogany tonewoods an ƙarfafa su tare da takalmin gyaran kafa na baya da yawa don ƙarin kwanciyar hankali da tsinkayar sauti mafi kyau tare da kyakkyawan dorewa & tsabta.
Discography
Kazuo Yairi dan kasar Japan ne mai luthier wanda ya yi aiki sama da shekaru 50, kuma ya shahara da salo na musamman na sana'ar katar da hannu. Don haka, Yairi ya bayar da gudunmawa mai tsoka ga harkar waka, inda wasu fitattun ‘yan wasa a duniya ke amfani da kayan aikinsa. Hotunansa sun haɗa da samfura masu yawa da yawa da ayyuka iri-iri masu alaƙa. Bari mu kalli wasu fitattun hotunan Yairi.
Albums
Kazuo Yairi, mawaƙin Japan, ya fitar da albam da yawa a lokacin rayuwarsa. Ya shahara da iya jurewarsa a matsayin mawaki, mai tsarawa da jagora kuma ana masa kallon daya daga cikin manyan mawakan Japan a karshen shekarun 1950 da farkon 1960s. Ayyukansa shine haɗin kai na jazz, pop, bossa nova, tango da sauran sauti na Latin.
Kazuo Yairi ya fitar da albam masu zuwa tsakanin 1957 zuwa 2003:
- Gitarist (1957)
- LocoMotion (1962)
-Bossa Nova (1965)
-Latin Jazz (1968)
-Lokaci Masu Farin Ciki & Waƙoƙin Bakin Ciki (1974)
Album I: Live a Musashino Hall (1981)
-Live Album II: Live at Meiji Kaikan Gekijo Concert Hall (1984)
- Manajan Ayyuka (1985)
-Santa Rita Orchestra Live a HonaKitana Concert Hall (1996)
-Viva Yairi – Gadon Kiɗa daga Tarin Ayyuka na Kazuo Yairi da aka Samar a ƙarshen Shekaru 70 (2003).
Singles
Kazuo Yairi mawaki ne na Jafananci, madugu, mai shirya rikodi kuma mai shiryawa wanda ya taka rawa wajen haɓaka shahararriyar kiɗan Japan. An san shi da farko don ƙirƙira da tsara wasu manyan waƙoƙin 1950s da 1960s. Har ila yau, an yaba shi da gabatar da sabbin kade-kade, tsarin mawaka da karin wakoki ga kidan Jafananci na zamani.
A tsawon aikinsa, Kazuo Yairi ya rubuta wakoki da yawa waɗanda aka saki ta hanyar kasuwanci. Wasu daga cikin shahararrunsa sun hada da:
- "Suitei Echigo no Mori" (1962)
- "Daikokuten" (1965)
- "Tsuru no Ongaeshi" (1966)
– “Mushi Uta” (Waɗannan Waƙoƙin Kwari ne) (1967)
- "Hebi No Uta" (The Snake Song) (1969)
– “Shiro Gonta Gonta Jigoku E” (Tafiya Zuwa Jahannama A Farin Auduga)”(1972).
A cikin 2010, jaridar Tokyo Shinbun ta zaɓi "Suitei Echigo no Mori" na Kazuo Yairi a matsayin ɗaya daga cikin manyan bayanan Jafananci 10 da aka taɓa fitar. Bayan mutuwarsa a cikin 2001, ya sami lambobin yabo da yawa bayan mutuntawa ciki har da shigar da shi a cikin Jafan Rock Hall of Fame a 2006.
Kammalawa
Kazuo Yairi na ɗaya daga cikin ma'auratan da ake girmamawa a ƙarni na 20. Ya yi imani da gaske cewa ya kamata a yi na'urori na musamman don dacewa da mai kunnawa. Ya tsara da kuma ƙera kayan aiki tare da babban matakin inganci da hankali ga cikakkun bayanai waɗanda ba su da kima. Hanyarsa ta luthiery ta kawo sauyi a masana'antar kuma ta sa ya zama mai tasiri ga masu luthi na zamani. A wannan sashe, za mu yi bitar tasirin da Yairi ya yi ga al’ummar waka da kuma dawwamammiyar gadonsa.
Tasiri kan Waƙar Yau
Har yanzu ana jin tasirin Kazuo Yairi kan wakokin yau. Hanya na musamman da Yairi ya bi wajen tsarawa da fasaha ya ba shi damar samar da kayan aikin da suka bambanta da sauti da kuma kyan gani. Haɗin da ya yi na ƙirar Jafananci na gargajiya tare da tasirin yammacin duniya ya kawo sabuwar duniya ta yuwuwar yin gita, wanda ya zaburar da mutane da yawa a yau.
An kuma ji tasirinsa a duniyar kayan aikin lantarki, tare da gabatar da kewayon sa na gatarar wutar lantarki mai ƙarfi ta DY. Waɗannan kayan kida masu araha sun zama sananne saboda ƙayyadaddun sautin arziƙinsu da ingantaccen ingantaccen gini, wanda ya sa su dace da masu farawa da ƙwararru.
Ganinsa bai tsaya ba wajen ƙirƙirar gita masu sauƙi - ya taimaka kawo kewayon manyan kayan aikin hannu a idon jama'a, yana amfani da tambarin tambari mai ban sha'awa da ƙirar kida mai ban sha'awa waɗanda suka zama sananne a tsakanin masu sha'awar guitar.
Ko da yake Kazuo Yairi baya tare da mu, 'yan wasa na zamani da masu tsattsauran ra'ayi za su ji daɗin gadon sa har abada - sunansa mai kama da ƙera kyakkyawa a matakin ƙasa da ƙasa wanda ke ci gaba da zaburar da sauran masu yin gita a duniya har yanzu.
Dorewa Legacy
Sana'a da sadaukar da kai ga Kazuo Yairi ya yi tasiri mai dorewa a duniyar waƙa. Ana ci gaba da neman kayan aikin nasa-saboda ficen wasansu, kyawun kyan gani, da ingantaccen sauti. ’Yan wasa a duk faɗin duniya sun girma don jin daɗin keɓancewar kayan aikin Kazuo Yairi, kuma ƙwararrun ƴan wasa da yawa suna zaɓe su don wasan kwaikwayo.
Ana tunawa da Kazuo Yairi don kawo sauyi a masana'antar kayan kida. Hankalinsa mai sha'awar yin sana'a ya zaburar da al'ummomi na luthiers waɗanda suka gina manyan kayan aikin ƙararrawa na al'ada a yau. An girmama shi sosai a ƙasarsa ta Japan da kuma a cikin jama'ar kiɗan gabaɗaya, wanda aka sani da yawa don ƙwarewarsa a matsayin mai luthier kamar yadda ya kasance don ƙimarsa mara kyau.
Gadon Yairi yana rayuwa ta hanyar kayan kida da ya kera tsawon rayuwarsa - kowanne yana cike da wani bangare na sa wanda ba zai taba mutuwa ba. Masu tarawa sun gane su a matsayin wasu daga cikin mafi kyawun katar da aka taɓa yi kuma har yanzu tsararraki na ƴan wasan guitar suna jin daɗin su - duk godiya ga sha'awar Kazuo Yairi da jajircewarsa na ƙwazo a cikin kowane kayan aikin da ya gina da hannunsa.
Ni Joost Nusselder, wanda ya kafa Neaera kuma ɗan kasuwan abun ciki, uba, kuma ina son gwada sabbin kayan aiki tare da guitar a zuciyar sha'awara, kuma tare da ƙungiyara, Ina ƙirƙirar labaran labarai masu zurfi tun daga 2020. don taimakawa masu karatu masu aminci tare da rikodi da tukwici na guitar.
